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; Mark Ruffalo; Drama; 3627 votes; average rating 8,3 of 10; Release year 2019. Movie watch dark waters 2016. There's also a documentary about that situation. It's called: The Devil We Know.
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(Dark (2018) english full movie watch online free) Wherefore Dark Waters Watch Stream Online Dark Waters. A t the end of Dark Waters, a dense, angry drama about the horrifying health effects of corporate negligence, it’s possible, and perhaps quite likely, to leave the cinema with complaints about the specifics of the film-making. Sometimes it pushes too much, sometimes not enough, a conventional procedural with undeniable flaws. But what’s entirely impossible as the credits roll, is to leave without a palpable sense of fury, a real world, off-screen outrage directed not just at a particular issue but at a particular company. It’s a film that works best as a two-hour assault on DuPont, a chemical company with toxic blood all over its hands. embed It shouldn’t be this rare to see a film in 2019 imploring us to bear witness to crimes committed by a hugely powerful, and profitable, corporation, one that’s named and shamed repeatedly throughout, but it still feels like an outlier, belonging more in the 70s than it does now. It’s this focused rage that propels it forward, giving it a vitality that’s often missing from the direction, a strange choice for director Todd Haynes whose films are typically known for their queerness and vibrancy. Here he’s a steady, if anonymous, pair of hands, telling a story based on a shocking New York Times long read about dogged, modest corporate lawyer Rob Bilott (Mark Ruffalo) who’s confronted with a game-changing case. Working for a high-profile law firm, acting on behalf of major chemical clients, he finds himself reminded of his humble beginnings when a farmer from his home town of Parkersburg enters his slick office. His farm is dying, or more specifically his cows are, 190 of them to date, and he’s convinced that it’s a result of drinking water infected by a neighbouring factory owned by DuPont, one of the world’s largest chemical companies. Bilott is initially reluctant to take on a personal case, given his firm’s focus on corporate clients, but he finds the evidence undeniable and the further he digs, the bigger the case becomes. It’s been quite the year for big-screen whistleblowers, kicked off in Sundance with Amazon’s tight, tense CIA thriller The Report and the far more plodding Katharine Gun drama Official Secrets. Dark Waters falls somewhere between the two, solidly effective and mostly involving yet relying a little too much on the dusty conventions of the subgenre to make a major mark. Arriving in the thick of awards season, it’s likely to get buried, or drowned, by the competition although its damning snapshot of corporate corruption and one man’s tireless, heroic effort to expose it should be seen and remembered. It probably would have been a surer fit for Netflix and Haynes’s muted work behind the camera gives it the feel of a film intended for the small screen. It’s his most straightforward project to date and his serviceable work is matched with an equally sturdy script from Mario Correa and Matthew Michael Carnahan, the latter having ample experience in taking Goliath to task having co-written 2016’s criminally underrated, BP-baiting Deepwater Horizon. There’s a simple pleasure in watching Bilott do his job and do it well, despite the odds that were stacked against him and Ruffalo avoids turning him into a showman, quietly and diligently finding a way to bring DuPont to task within the framework of the legal system. The focus on the minutiae of the case makes the film’s silly, incongruous scene of Bilott worrying his car might be rigged to explode feel all the more unnecessary (it was predictably used in the trailer, hoping to fool viewers into thinking of this as a thriller). Instead, it’s the insidious confidence of a company of this scale that has a far more chilling effect, the accepted knowledge that wealth will win no matter what. Anne Hathaway in Dark Waters. Photograph: Mary Cybulski Ruffalo is reliably solid in the lead, keeping his performance believably dialled down but those around him are less well-modulated. There are oversized turns, or at least scenes, from Tim Robbins, Bill Pullman and especially Bill Camp as the farmer in need while, as Bilott’s wife, Anne Hathaway is both miscast and misused. The thankless wife role is a given in this territory and what’s frustrating here is how the film gives us an interesting thread (Bilott’s wife was also a lawyer who gave up her career to have children) and then abandons it completely. Attaching an actor of Hathaway’s status leads us to expect more than what she’s given and when her big scenes do come, they don’t land. We can see her acting too hard which automatically removes us from the naturalistic setting. Misgivings aside, Dark Waters deserves to make an impact and early speculation suggests that it will. This week a Wall Street analyst, after watching the film, claimed that it could be “very damaging” for DuPont and perhaps that’s its biggest ace. As a drama, it’s patchy but as a document, it’s undeniable. Dark Waters is released in the US on 22 November and in the UK on 28 February.
Movie Watch dark waters. Movie Watch Dark water damage restoration. Critics Consensus Dark Waters powerfully relays a real-life tale of infuriating malfeasance, honoring the victims and laying blame squarely at the feet of the perpetrators. 89% TOMATOMETER Total Count: 144 95% Audience Score Verified Ratings: 2, 629 Dark Waters Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Dark Waters Videos Photos Movie Info Inspired by a shocking true story, a tenacious attorney (Mark Ruffalo) uncovers a dark secret that connects a growing number of unexplained deaths due to one of the world's largest corporations. In the process, he risks everything -- his future, his family, and his own life -- to expose the truth. Rating: PG-13 (for thematic content, some disturbing images and strong language) Genre: Directed By: Written By: In Theaters: Dec 6, 2019 wide Runtime: 126 minutes Studio: Focus Features Cast News & Interviews for Dark Waters Critic Reviews for Dark Waters Audience Reviews for Dark Waters Dark Waters Quotes News & Features.
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Seriously what a good movie. Thank you for makers for making this kind of movie. Seriously well acted, well directed, and well written. Movie Watch Dark water damage. Looks so good! Something tells me this movie doesnt really depict all the hell she really went through but this is pretty awesome. YouTube. 9 customer reviews There was a problem filtering reviews right now. Please try again later. December 8, 2019 Format: Prime Video “Dark Waters” Distributed by Focus Features, 126 Minutes, Rated PG-13, Released November 22, 2019: There’s a scene in the 1976 political drama “All the President’s Men” in which Dustin Hoffman and Robert Redford as Washington Post reporters Carl Bernstein and Bob Woodward need to request from a Library of Congress staff member every checkout slip processed in the past three years in one of the largest libraries in the world. “I’m not sure you want ‘em, ” the sympathetic librarian tells them, “but I got ‘em. ” And in the next shot, the camera slowly pans upward to see the two reporters beginning to sift through tables and tables filled with hundreds of thousands of library checkout slips, in an attempt to find a single clue which will help them to solve the mystery behind the Watergate break-in. There’s a similar scene in “Dark Waters, ” the new fact-based legal thriller from Focus Features now playing in movie theaters across the United States. In the scene, the intrepid attorney played by actor Mark Ruffalo requests from the gigantic DuPort chemical conglomerate records of research material related to the manufacture of one specific compound. In reluctant compliance with the request--as well as an effort to discourage any future investigation by the government--DuPort sends the attorney dozens and dozens of packing crates filled with records. And with a sigh, Ruffalo as the attorney hunkers down in his law firm’s conference room to begin the Sisyphean task of examining the hundreds of thousands of documents, one by one. Both scenes are important to their pictures’ narratives, enormously revealing background touches in unusually engrossing movies. The purpose of the segments is plain--that any result, is desirable enough, is worth working for. If “Dark Waters” and 2000’s “Erin Brockovich” were playing as a double feature at a drive-in theater, you might feel compelled to leave halfway through the second matter which picture played first. But sometimes surface resemblances can be misleading--while the two pictures have similarities and both are informative and richly entertaining movies, a major difference is that the older picture’s conclusion is more because the events of “Dark Waters” are still playing out. Adapted by screenwriters Mario Correa and Matthew Michael Carnahan from writer Nathaniel Rich’s New York Times Magazine article “The Lawyer Who Became DuPont’s Worst Nightmare, ” in “Dark Waters” a successful and upwardly mobile attorney for a prosperous corporate legal firm places his carefully-plotted career on hold to help a rural farmer pursue a complaint of a local refinery’s waste water is poisoning his discovers that the case leads to the highest echelons of corporate America. If neither DuPont nor Teflon are among the sponsors for this year’s Academy Awards broadcast, don’t be surprised to find Mark Ruffalo’s name among the Best Actor nominees for his role in “Dark Waters. ” Ruffalo is the rare performer who puts his money where his mouth is--a dedicated social activist as well as a gifted actor. When the actor combines the two pursuits, people tend to take notice: 2015’s Academy Award-winning “Spotlight” is an example. In “Dark Waters, ” Ruffalo seems to be trying hard to blend into the ensemble--after adding a few pounds to portray the real-life Robert Bilott, the actor resembles Oliver Platt--but his talent, and his social conscience, shine through in every scene. “Dark Waters” is good, solid, smart motion picture entertainment. You have to work a little to keep up with the plot development--this is one picture for which your ninth grade chemistry will come in handy--and the picture’s conclusion isn’t completely reassuring. The ultimate message is as sobering and troubling as it is inspiring: ”THEY don’t protect us--WE protect us. ” But if you think about it, that’s what Jefferson, Hamilton, Adams, and the other founding fathers were telling us all along. Supporting Ruffalo, Anne Hathaway disguised in a succession of unflattering black wigs is wasted in a nothing role as Ruffalo’s brittle wife, but the reliable old pro Bill Pullman has fun in a showy little role as a seasoned and wiley small-town country lawyer who’s amused to find himself taking on big business for the first time in his career. And ubiquitous supporting player Bill Camp has the role of a lifetime, so persuasive as the crusty West Virginia rancher whose problems set the plot in motion that the viewer might well mistake him for the real deal. Directed by Todd Haynes, “Dark Waters” is earning superb reviews from the critics, including an approval rating of 97% from Rotten Tomatoes and 93% from Metacritic. The picture’s been gaining momentum at the box office--originally placed into a limited release pattern in only five locations across the United States and Canada, the film expanded into 94 theaters during its second week and entered the Box Office Mojo charts in eighteenth place. Now playing in 2012 theaters across the US--about half the number as, say, “Frozen II”--the picture has risen to an impressive sixth place in the Box Office Mojo Top Ten. “Dark Waters” is rated PG-13 for some disturbing images, and strong language. December 6, 2019 Format: Prime Video This is what cinema should be, but very rarely is... a film that deepens our understanding of our world and our lives with drama, script and performances. In the end, it might even save our lives. Thank you, Mark Ruffalo, Todd Haynes, you did yourselves proud. December 6, 2019 Format: Prime Video "Dark Waters" (2019 release; 126 min. ) brings the story of Cincinnati lawyer Rob Bilott's long legal battle against DuPont. As the movie opens, it is "1975 Parkersburg, West Virginia" as we see several teenagers (one of them a young Bilott) go swimming in a lake that we later see being sprayed with chemicals. We then go to "1998 Cincinnati, Ohio", and Rob has just made partner at Taft, one of the large law firms in Cincinnati. Then a stranger shows up who is from Parkersburg and knows Rob's grandmother. The stranger, Wilbur Tennant, claims that chemicals have ruined his farm, he has the VHS tapes to prove it, and can Rob please represent him.... At this point we're 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all turns out. Couple of comments: this is the latest movie from Todd Haynes, whose prior movie, the excellent "Carol" was coincidentally also filmed here in Cincinnati (where I live). But that is where the comparisons stop. Here, Haynes brings to the big screen the long battle that Bilott fought against chemical giant DuPont. The film starts a bit tentative in my opinion, but after the first half hour, the tension doesn't let up as DuPont is fighting with all of its might against Bilott. This movie is a labor of love for Mark Ruffalo, who stars and also co-produces. I've seen a lot of the films that Ruffalo has made in his career, and I don't know that he's ever been better, playing the almost mousy yet determined lawyer. Anne Hathaway seems underused as the supportive spouse but as the movie goes deeper, her role expands. The movie was filmed in early 2019 in and around Cincinnati, and the downtown area is featured extensively, including Fountain Square, the Queen City Club, the Hall of Mirrors at the Netherland Plaza, etc. The movie had a red carpet premiere here in Cincinnati a week before it got a limited release. This weekend it got a wide release, and the Friday early evening screening where I saw it at my art-house theater here in Cincinnati was attended okay (about 20 people). This movie will create strong word of mouth, and if it manages to pick up some award nominations (as it is expected), this could have a decent run in the theaters. If you are interested in a tense legal drama where Mark Ruffalo shines, I'd readily suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray. December 10, 2019 Format: Prime Video This is a very important film about one lawyer's fight to protect the health of all Americans. It is a David and Goliath story about the power that is currently held by mega corporations, and how they stay above the law. Tim Robbins, Anne Hathaway, and Mark Ruffalo give stellar performances, and the screenplay keeps the viewer engrossed in the film until the end. We all need these films to help educate and inform us of what is really happening in the world right now. I highly recommend it, although the PG13 rating is a precaution for younger family members due to its mature theme. December 26, 2019 Format: Blu-ray I don't often give anything 5 stars. This movie fully earns every single one. The story is complex, but put forth in a way an average viewer can easily follow. It builds and builds in a gripping slow burn from beginning to end. It is firmly based upon, and is faithful to, a true story in which the deliberate actions of a few brought great harm to many. The story is both spellbinding and sickening, simultaneously. The writing, acting, directing, and cinematography are all superb. This is one of the best movies of 2019. December 27, 2019 Format: Blu-ray Dark Waters surpasses its genre designations to unfold a true story by showcasing a medley of great performances, punctuated by a visual palette that creates an appropriate tone and mood. Todd Haynes directs with a delicate sensibility and wondrously highlights the tension in the undercurrent of the film. A superb film all in all.
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